EDIT MAGAZINE EVENTS 
Edit Magazine (2018/19)
Different formats/configurations
Moving image production by Manuel Müller 
Visuals, posters and flyers for an ongoing series of contemporary literature events by Edit Magazine at Galerie für Zeitgenössische Kunst (GfZK), Leipzig.

Mark
Dresden University Of Fine Arts—EU4ART publication series
self published, Dresden (2021)
Design in collaboration with Roger Lehner
thread sewn paperback w/ open spine and transparent cover, 48—160 pp., 180 mm × 240 mm, offset
Bookdesign for a series of four publications that accompany and document the »EU4ART«-project—an art school alliance—that HfBK Dresden is part of.

Mark
Schmuck+Image — Das Grassi schmückt
[Jewelry+Image—The Grassi adorns]
GRASSI Museum of Applied Arts Leipzig
Arnoldsche art publishers, Stuttgart (2022)
thread sewn hardcover w/ foil embossing, 368 pp., 245 mm × 290 mm, offset
A catalogue that is covering both the museum’s substancial collection of contemporary jewelry as well as an extensive editorial shot by ten different aspiring and established photographers. The opening spreads of the book hold an exclusive series of photographs by Hans Hansen. Published on the occasion of the same-titled exhibition at GRASSI Museum.
Mark
P. A. HÜLSENBECK & MICHAEL SCHÖNHEIT—REAPING FROM THE CONFLUX
Berlin/Leipzig, GER (2020)
Complete visual campaign
Cover image by Anton Ginzburg
Additional photography by Postrach, Rothe 

»Reaping From The Conflux«, a collaborative album of P.A. Hülsenbeck and Michael Schönheit. The piece was recorded at the great hall of Gewandhaus Leipzig during their »Two Play To Play«-residency. 
(2×LP, CD, Flyers & Website) 

Mark
ULTRABLACK OF MUSIC:
FEINDLICHE ÜBERNAHME
Andrzej Steinbach / Achim Szepanski
Spector Books, Leipzig (2017)
thread sewn paperback, 96 pp.,
110 mm × 180 mm, offset
A publication on electronic music-theory, it’s social relationships and commercialism. The book is composed of two sections, Szepanski’s »Ultra-blackness in der Musik« and Steinbach’s three-part »Funke« work.

Mark
© 2016—2022 / Jim Kühnel
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